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Nature, art, cultures, people – the forgotten unity of the world – Exhibition at Műcsarnok
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Contemporary nature art works from all corners of the world. Inspired and defined by nature, by life on and in earth, as well as by the continual and reciprocal relationship between man and his environment. This thought-provoking relationship is placed at the centre of the exhibition.
The borderlines in art history are at times bound to be vague. As culture was perceived to have come into its own, the ancient phenomenon of nature art (see Stonehenge) was defined as one of the main branches of the fine arts, associated with body and environmental art – genres in which the mediums carry art itself – while retaining openness to other ideas. Our most ordinary signs, such as a spiral or a hexagon, are forms borrowed from nature in the broadest meaning of the word.
Is isolation that has dominated art for centuries and is only lifted when artists go out into nature – the last time in the middle of the 20th century – the result of our scientific concepts? And is it actually art that does not incorporate the whole world and all its contexts?
Nature is enriched by nature art only temporarily (no need to fear ‘overpopulation’). The works are transient with old ones disappearing, albeit with new ones continuously replacing them. So will embracing nature engender a trust of life in us enabling us to accept transience and the infinity inherent in it? Will regarding the universality of nature make us able to repeat ‘supplications’ or the act of adorning a riverbank? Forgotten rites, the humanities, and the wide range of sciences studying nature and practicing its archaeology suggest we can since nature does it too.