A Hungarian architect shaped the image of Shanghai – PHOTOS, VIDEO

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The Hungarian László Ede Hugyecz was regarded as a remarkable architect and designed more than 65 houses which irrevocably shaped the city of Shanghai, the meeting point of international architectural styles in the 1930s-40s, writes 24.hu.
László Hugyecz (Hudec) was born in 1893 and was interested in architecture since an early age: ever since he was 9 he spent the summer seasons at the constructions of his father, who worked on the implementation of several well-known Hungarian architects of the time, including Gyula Wälder and Gyula Sándy.
Later, he graduated at the Királyi Magyar József University in Budapest after learning from the bests of the profession between 1910-14, such as Alajos Hauszmann, Frigyes Schulek, Samu Pecz, Dezső Hültl and Emil Tőry, among others. His promising career then met an obstacle as World War I broke out in 1914 and he became soon enlisted.
He got captured in Poland in 1916, but after 2 years of captivity his talents were recognized, and, as the Russians suffered the lack of professionals, Hugyecz came handy. By that time he already changed his identity and nationality multiple times and mastered numerous languages, including English, German, Ukrainian, French, Polish, and, of course, Slovak and Hungarian.
After further difficulties, he escaped, got a fake passport and, thus, a safe-conduct to China or Japan, and eventually reached Shanghai on October 26, 1918. After only 3 days of being there, Hugyecz got a job in the office of Rowland A. Curry American architect, who, realizing that Hugyecz was quite proficient in different architectural styles, gave him lots of tasks at the same time.
His plan, though, was to stay in Shanghai only for as long as he could make enough money to get back to his family. However, several misfortunes happened to them by 1920 so they moved to Budapest. After visiting them for a short time in 1921, Hugyecz felt that it was his job to provide financial security for the family, so went back to Shangai and supported them for the rest of his life.
1925 was the year when he opened his own office in the Chinese city and got designing assignments from the government, rich Chinese businessmen, and colonies of different nations. His style varied from eclectic to neoclassicism and modern art deco, but he also designed buildings in the Tudor, American colonial and Moorish styles, as well, fulfilling the needs of the more than 20 nationalities of the city.










